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And today there is Coco Noir, a great nocturnal Baroque.

Then, in 2001, came Coco Mademoiselle, a breath of air that lightens this cornucopia of fragrance, in which everything is simplified and accelerated in a radiant burst of fruit and flower.I am completely in love with the fragrance and the way it makes me feel when I wear it, but there is so much to be desired quality-wise.While its sheerness is part of its character, I wish more than anything that I got more than a couple of hours of performance on both skin and fabric alike.It’s a very understated, sophisticated, elegant perfume.It’s not noir in the modern sense of perfume advertising, it’s French noir.

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